*
Now this is what life is all about: Frank Zappa and the "Roxy" Mothers providing a classic primer on "imaginary diseases" (as Frank used to call things like smelly feet and BO). I saw this band and several variants five or six times between 1973 and 1975, including this very lineup in Bloomington, Ill. He even makes a reference to Tom Waits, who was opening for FZ when "Heart of Saturday Night" was released. The deliciously average-looking Ruth Underwood is shown here wearing only a bra on top, but not because it was her custom to dress like a "ho." It's because it gets pretty fucking hot under stage lighting, especially when you're darting around like a whirling dervish between 10 linear yards of mallet percussion instruments, drums, cymbals, and what-have-you. In Bloomington (1974) they had to briefly pause the show because she fainted due to overheating (after her solo on "Don't You Ever Wash That Thing?" I think).I think this video comes from Zappa's Dub Room Special DVD. The performance, probably from the 1974 Roxy shows, is extra-nice for several reasons. First, it's not rushed in tempo, which was a classic Zappa shortcoming in latter-year live performances. Second, this version isn't retrofitted with AAAFNRA* litter, which Zappa continually did to keep things interesting for himself during nonstop touring, yet he does tweak the lyric to acknowledge the presence of Waits backstage, keeping things spontaneous. And third, FZ edited in some claymation by Bruce Bickford, who seems to be as closely in touch with his own id as Robert Crumb. This animated video flourish is, in my opinion, an example of AAAFNRA at its best.
* Unfortunately for many fans, including me, these ad hoc AAAFNRA modifications to lyrics, melodies, and arrangements often amounted to little more than in jokes for the band or weak second thoughts on how to present the original piece.
yoicks-- prehistoric hiphop with some actual music included
ReplyDeleteAnon: There are a few other notable rap-like FZ arrangements from this period and earlier. I'm The Slime, also first released on the same disc as Stink Foot, may be a purer example, staying a good healthy distance from even the whiff of a melody. And from 1966 there's a very Stones-sounding rocker, More Trouble Coming Every Day, FZ's lead vocal on which has been called "sprechgesang" by erudite rock critics. To my ear, it's proto-rap.
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